Nettheim home page                  Index of Pachmann items

VLADIMIR DE PACHMANN, PIANIST (1848-1933):
A DISCOGRAPHY / ROLLOGRAPHY


© Nigel Nettheim 2001, 2008.
Released 30 November 2001, revised 7 May 2008. Contact the author.


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(1)
ID
Composer
(2)
ID
Work
(3)
ID
Date
(4)
ID
Place
(5)
ID
Process
(6)
ID
Matrix
(7)
ID
Also
(8)
ID
Panigel 1949
(9)
ID
Methuen 1984
(10)
ID
           Comments           
(11)
Eval
NN
(12)
78
Col
d/s
(13)
78
G&T/
HMV s/s
(14)
78
HMV
d/s
(15)
78
Vic
s/s
(16)
78
Vic
d/s
(17)
78
Sym
(18)
Tape
Gust
(19)
LP
Pearl
(20)
LP
Chop
(21)
LP
Show
(22)
LP
Cent
(23)
LP
MJA
(24)
LP
Ever
(25)
LP
Welte
(26)
LP
GMK
(27)
LP
Other
(28)
CD
Dante
(29)
CD
APR
(30)
CD
Opal
(31)
CD
PLib
(32)
CD
Arb
(33)
CD
Green
(34)
CD
Condon
(35)
CD
Other
(36)
ID
Work
(37)
ID
Composer
Brahms Capriccio
op.76/5 in c#
1916
01(Jan)? c.08(Aug)? c.09(Sep)?
London Acoustic 6978-2 ­ ­ p.43 Issued 1917 Feb. 040 Pachmann's personality present even here L 1124
(12") Eng
­ ­ ­ ­ ­ 113/15
(3'17")
{-½t}
­ ­ ­ B8
(3'01")
­ ­ ­ ­ ­ 3/20
(3'02")
­ ­ 18
(3'03")
1/23
(3'08")
­ ­ ­ Capriccio
op.76/5 in c#
Brahms
Chopin Ballade
op.47 in Ab
1912
04(Apr)
25
Camden Acoustic C 11932-1 ­ ­ ­ Bars 1-115 (the exposition). 085 Good ­ ­ ­ 74316 assigned ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ 2/18
(3'06") {-¼t?}
­ ­ . Ballade
op.47 in Ab
Chopin
Chopin Ballade
op.47 in Ab
1912
04(Apr)
26
Camden Acoustic C 11940-1 ­ p.032 p.43 Bars 116 (the start of the development section) to the end. The repeat of bar 137 is omitted. 092 Excellent ­ 05597
(12")
D 262
(12") Eng .
74309
(12") US .
1912 May 1
­ ­ 112/01
(3'25")
A1 ­ A5
(3'20")
­ ­ ­ ­ ­ ­ ­ ­ ­ ­ 1/15
(3'19") {-¼t?}
­ ­ . Ballade
op.47 in Ab
Chopin
Chopin Barcarolle
op.60 in F#
1907
05(May)
London Acoustic 1850f ­ ­ p.42 Bars 24-38, 62-116 (116 is the end of the work). 090 Good ­ 05502
(12")
­ ­ ­ 1053 112/02
(4'41")
­ ­ ­ ­ ­ ­ ­ ­ Veritas A1 2/18
(4'31")
05
(4'39") (4'45")
16
(4'30")
­ 2/11
(4'37") {0t}
­ ­ ­ Barcarolle
op.60 in F#
Chopin
Chopin Barcarolle op.60 in F# 1909
06(Jun)
22
London Acoustic 3155f Prelude op.28/20 in c ­ ­ Called "Improvisation on petite Barcarolle". See APR p.19. Not heard ­ Unissued ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ Barcarolle op.60 in F# Chopin
Chopin Berceuse
op.57 in Db
­ ­ ­ ­ ­ ­ ­ Test pressing. Lost. Not heard ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ Berceuse
op.57 in Db
Chopin
Chopin Ecossaise
op.72/3 in Db
1916
01(Jan)? c.08(Aug)? c.09(Sep)?
London Acoustic 6969-2 Waltz
op.70/1 precedes.
p.044 p.43 Issued 1916 Nov. 068 Slight L 1103
(12") Eng
­ ­ ­ ­ ­ 112/03
(0'43")
­ ­ ­ A6(b) ­ ­ ­ ­ ­ 3/11
(0'36")
­ ­ 06b
(0'41")
­ ­ ­ ­ Ecossaise
op.72/3 in Db
Chopin
Chopin Etude
op.10/01 in C
1911
11(Nov)
08
Camden Acoustic C 11206-1 Etude op.25/02 ­ ­ ­ 090 Excellent ­ ­ ­ ­ ­ ­ 112/04
(2'26")
­ ­ ­ ­ A3
(2'19") {+1t}
­ ­ ­ ­ ­ ­ ­ ­ 2/14
(2'33") {0t}
­ ­ . Etude
op.10/01 in C
Chopin
Chopin Etude
op.10/03 in E
1912
04(Apr)
25
Camden Acoustic B 11931-1 ­ ­ ­ Test pressing. Unissued. 083 Wonderful effect bar 71. ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ 1/11 Θ
(3'17")
­ ­ . Etude
op.10/03 in E
Chopin
Chopin Etude
op.10/05 in Gb ("Black Keys")
1911
11(Nov)
07
Camden Acoustic C 11200-1 Prelude op.28/24 precedes. p.059 p.42 Extra chord notes in last bar. No remarks by Pachmann. 083 Good ­ 05593
(12") .
D 264
(12") Eng Fr
Also Russia 025513
74260
(12") US .
6363
(12")
­ 112/05 Θ
(1'37")
B1b Θ ­ B4 Θ
(1'32")
­ ­ ­ ­ ­ ­ 2/09 Θ
(1'33")
­ ­ ­ ­ ­ ­ ­ Etude
op.10/05 in Gb ("Black Keys")
Chopin
Chopin Etude
op.10/05 in Gb ("Black Keys")
1927
11(Nov)
03
London Electric Bb 11763-1
(1 take)
­ p.059 ­ Includes remarks by Pachmann. After 8 bars stopped and began again. Various extra notes. Recorded in Small Queen's Hall. 030 Amusing, erratic ­ 30-10221 DA 1302
(10") Eng Bel Fr Side A .
Also DB 2454 (12") "Cavalcade of Famous Artistes" Eng Side 2
­ JF 55
(10") Jap
­ ­ ­ A04 Θ
(2'04")
{+½t}
­ ­ ­ ­ ­ ­ ­ 1/19 Θ
(2'11")
­ 11 Θ
(2'12")
­ 1/12 Θ
(2'06")
20
(2'12")
­ ­ Etude
op.10/05 in Gb ("Black Keys")
Chopin
Chopin Etude
op.10/07 in C
1927
11(Nov)
03
London Electric Cc 11758-1
(1 take)
Waltz op.34/3 follows. ­ ­ Recorded in Small Queen's Hall. Not heard ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ Etude
op.10/07 in C
Chopin
Chopin Etude
op.10/12 in c
1909
06(Jun)
14
London Acoustic 3136f ­ p.067 ­ p.42 090 Excellent ­ 05517
(12")
D 835
(12") Eng
­ ­ ­ 112/06
(2'57")
­ ­ ­ ­ ­ ­ ­ ­ ­ 2/11
(2'50")
10
(2'57") (3'08")
­ ­ ­ ­ ­ ­ Etude
op.10/12 in c
Chopin
Chopin Etude
op.25/02 in f
1911
11(Nov)
08
Camden Acoustic C 11206-1 Etude op.10/01 ­ ­ Omits bars 1-19. Bar 67 has extra ornament. Last RH note repeated. 092 Scintillating ­ ­ ­ ­ ­ ­ 112/07
(0'59")
{+½t}
­ ­ ­ ­ A4
(0'56")
{+1t}
­ ­ ­ ­ ­ ­ ­ ­ 2/15
(1'03") {0t}
­ ­ . Etude
op.25/02 in f
Chopin
Chopin Etude
op.25/03 in F
1915
Mid-late c.09(Sep)? 12(Dec)?
London Acoustic 6591-1 Prelude
op.28/16 follows.
p.073 p.43 First note present. Bar 4 LH last note: played d instead of written c. Bar 12 LH last note: played c as written. Last chords not arpeggiated. Issued 1915 Nov. 078 Straight-forward L 1010
(12") Eng
A 5831
­ ­ ­ ­ ­ ­ ­ ­ ­ A8 Θ
(2'01")
A5 Θ
(2'13")
{-½t}
­ ­ ­ ­ 3/02 Θ
(2'02")
­ ­ 08 Θ
(2'07")
­ ­ ­ ­ Etude
op.25/03 in F
Chopin
Chopin Etude
op.25/03 in F
1916
01(Jan)? c.08(Aug)?, c.09(Sep)?
London Acoustic 6979-1 Mazurka op.33/3 precedes. p.073 p.43 First note present. Bar 4 LH last note: played c as written, faintly. Bar 12 LH last note: d played instead of written c. Last chords not arpeggiated. Issued 1916 Nov? Dec?. 071 Straight-forward L 1112
(12") Eng
­ ­ ­ ­ ­ ­ ­ ­ ­ A9 Θ
(1'57")
­ ­ ­ ­ ­ 3/15 Θ
(1'59")
­ 10 Θ
(2'05")
09 Θ
(2.02")
­ ­ ­ ­ Etude
op.25/03 in F
Chopin
Chopin Etude
op.25/03 in F
1925
06(Jun)
26
Hayes ("B" studio) Electric Cc 6260-1
(1 take)
Waltz
op.64/2 follows.
p.073 p.44 First note absent. Many mistakes. Last chords arpeggiated. Pachmann's own Baldwin. 024 Very erratic ­ 05860
(12")
DB 860
(12") Eng Hol Sp Ger Fr .
­ Jap JS 2 ­ 112/08 Θ
(1'51")
­ A05 Θ
(1'50")
{+?t}
­ ­ ­ ­ ­ ­ Accord A3 Θ
(1'48")
1/07 Θ
(1'51")
­ ­ ­ ­ 07
(1'48")
­ ­ Etude
op.25/03 in F
Chopin
Chopin Etude
op.25/05 in e
1912
04(Apr)
26
Camden Acoustic C 11938-1 ­ p.075 p.43 ­ 086 Good, especially Trio ­ 05634
(12") Eng (Panigel gives 05517)
D 262
(12") Eng .
74318
(12")(Also 64291?)
­ ­ 112/09 Θ
(3'09")
A2 Θ (3'08") B05
(3'07")
{0t}
­ ­ ­ ­ ­ ­ Masters A2 Θ (3'08") ­ ­ ­ ­ 1/14 Θ
(3'08")
­ ­ ­ Etude
op.25/05 in e
Chopin
Chopin Etude
op.25/07 in c#
1909
06(Jun)
22
London Acoustic 10326e ­ ­ ­ See APR p.19. Not heard ­ Unissued ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ Etude
op.25/07 in c#
Chopin
Chopin Etude
op.25/09 in Gb
1907
c.May? 06(Jun)19?
London Acoustic 6001e Waltz
op.64/1 follows.
p.078 (wrongly op.25/07), p.082 (wrongly op.25/10) p.42 ­ 090 Good but slight ­ 05566
(wrongly labelled) (10") Eng
­ ­ ­ ­ 112/10
(0'59")
A5a (wrongly labelled) ­ ­ ­ A1a (1906?) Θ ­ ­ ­ ­ 2/15
(0'57")
01
(0'57) (0'58")
­ ­ ­ ­ ­ A-Z 3/13
(1'02")
Etude
op.25/09 in Gb
Chopin
Chopin Impromptu No.1
op.29 in Ab
1911
11(Nov)
07
Camden Acoustic C 11201-1 Prelude op.28/23 ­ p.42 First bass note almost simultaneous with treble. Bar 59 replaced by bar 53. Extra note played in bars 54,58,74. Last chord not arpeggiated. 088 Very fine indeed ­ ­ ­ 74284
(12")
6363
(12")
­ 112/11 Θ
(3'21")
­ ­ A3 Θ
(3'14")
­ ­ ­ ­ ­ ­ 2/06 Θ
(3'17") (3'16")
­ 01 Θ
(3'21")
­ ­ ­ ­ ­ Impromptu No.1
op.29 in Ab
Chopin
Chopin Impromptu No.1
op.29 in Ab
1915
Mid-late c.09(Sep); 12(Dec)?
London Acoustic 6598-1 ­ p.090 p.43 First bass note a quarter-note before treble. Bar 59 played as written. No extra note played in bars 54,58,74. Last chord arpeggiated. Issued 1915 Nov. 096 Trio wonderful L 1009
(12") Eng
­ ­ ­ ­ ­ ­ ­ ­ ­ A3 Θ
(3"28")
­ ­ ­ ­ ­ 3/05 Θ
(3'30") (3'31")
­ ­ 03 Θ
(3'32")
1/10 Θ
(3'34")
­ ­ ­ Impromptu No.1
op.29 in Ab
Chopin
Chopin Impromptu No.2
op.36 in F#
1923
12(Dec)
14
(1923/24?)
­ Acoustic C 29086-1 ­ ­ p.44 Bar 28 RH b played after LH c,e as written. Bars 36-37 notes not changed. Bars 94-97 omitted. Bar 100 extra notes near end. Last chord arpeggiated. 093 Near-supreme, especially bar 86 ­ (05785 not used) (05799 cancelled)
(12")
DB 739
(12")
74864 assigned
(12")
6441B
(12") US .
­ ­ ­ B07 Θ
(4'44")
{0t}
­ ­ ­ ­ ­ ­ Giants(V1) A2 Θ (4'30"); Accord A1 Θ (4'42") ­ ­ ­ ­ 2/20
(4'43") {-¼t?}
­ ­ ­ Impromptu No.2
op.36 in F#
Chopin
Chopin Impromptu No.2
op.36 in F#
1925
06(Jun)
26
Hayes ("B" studio) Electric Cc 6261-1
(1 take)
­ p.091 p.44 Bar 28 RH b played with LH c,e. Bars 36-37 changed notes. Bars 94-97 omitted. Bar 100 no extra notes. Last chord arpeggiated. Pachmann's own Baldwin. 073 Fair ­ 05853
(12")
DB 859
(12") Eng Fr Ger Hol Tur Oz .
­ ­ ­ 112/12
(4'56")
{-¼t}
­ ­ ­ ­ ­ ­ ­ ­ ­ 1/09 Θ
(3'50") (3'49")
­ 02 Θ
(3'51")
­ ­ 09
(3'46")
­ Perf 07 Θ
(3'47")
Impromptu No.2
op.36 in F#
Chopin
Chopin Mazurka
op.24/4 in bb
1925
06(Jun)
26
Hayes ("B" studio) Electric Cc 6255-1
(2 takes)
­ p.106 p.44 Bar 95 bass Db instead of Ab. Pachmann's own Baldwin. 090 Very good ­ 05861
(12")
DB 861
(12") Eng Sp Fr Ger Hol Tur .
­ ­ ­ 112/13
(3'55")
­ ­ ­ ­ ­ ­ ­ ­ Accord A2
(3'42")
1/02
(3'52")
­ 13
(3'51")
­ ­ 02
(3'47")
­ Perf 10 Θ
(3'45")
Mazurka
op.24/4 in bb
Chopin
Chopin Mazurka
op.33/3 in C
1911
11(Nov)
08
Camden Acoustic C 11208-1 Mazurka op.67/4 ­ ­ No repeat. Bar 7 LH note not early. 083 Nice effect in bar 31 ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ 1/09
(1'06")
­ ­ . Mazurka
op.33/3 in C
Chopin
Chopin Mazurka
op.33/3 in C
1916
01(Jan? c.08(Aug)? c.11(Sep)?
London Acoustic 6979-1 Etude op.25/03 follows. p.110 p.43 No repeat. Bar 7 LH note early. Issued 1916 Nov? Dec?. 080 Straight-forward L 1112
(12") Eng
­ ­ ­ ­ ­ 112/14
(1'13")
{-½t}
­ ­ ­ B1(a) A6 (1915?)
(1'12")
{-½t}
­ ­ ­ ­ 3/14
(1'03")
­ 12
(1'11")
10
(1'08")
­ ­ ­ ­ Mazurka
op.33/3 in C
Chopin
Chopin Mazurka
op.33/4 in b
1916
01(Jan)? c.08(Aug)? c.09(Sep)?
London Acoustic 6976-2 ­ p.111 p.43 Issued 1916 Nov. 093 Excellent L 1102
(12") Eng (& Poland LMX 102)
­ ­ ­ ­ ­ 112/15
(3'25")
­ ­ ­ B1(b) ­ ­ ­ ­ ­ 3/13
(3'12")
­ ­ 11
(3'16")
2/21
(3'17") {-¼t?}
­ ­ Mast B1
(3'16")

Perf 13 Θ
(3'11")
{0t}
Mazurka
op.33/4 in b
Chopin
Chopin Mazurka
op.33/4 in b
1925
12(Dec)
15
Hayes ("A" studio) Electric Cc 7531-1
(1 take)
­ ­ ­ Pachmann's own Baldwin. Not heard ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ Mazurka
op.33/4 in b
Chopin
Chopin Mazurka
op.50/2 in Ab
1907
05(May)
London Acoustic 1856f Preludes op.28/23 & 28/24 precede. ­ p.42 Bar 59 extra notes at end. Repeats: 1st played, 2nd omitted. Bar 91 played as written. No extra note to finish. 088 Good ­ 05500
(12")
­ ­ ­ 1055 ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ 2/22 Θ
(2'18") (2'19")
09 Θ
(2'20") (2'26")
15 Θ
(2'32")
­ 2/06
(2.25") {-¼t}
­ ­ Perf 12 Θ
(2'25")
{0t}
Mazurka
op.50/2 in Ab
Chopin
Chopin Mazurka
op.50/2 in Ab
1911
11(Nov)
07
Camden Acoustic B 11207-1 ­ p.113 p.43 Bar 59 no extra notes. Repeats: both played. Bar 91 played as written. No extra note to finish. 088 Good ­ 5639?
5640?
(10")
E80
(10") Eng
64224
(10") US
(One version mis-labelled op.15/2)
907B .
(10")
­ 112/16 Θ
(2'49")
­ B01 Θ
(2'43")
{0t}
­ ­ ­ ­ ­ ­ ­ 2/10 Θ
(2'43") (2'46")
­ ­ ­ 1/06
(2'45")
­ ­ ­ Mazurka
op.50/2 in Ab
Chopin
Chopin Mazurka
op.50/2 in Ab
1925
06(Jun)
26
Hayes ("B" studio) Electric Cc 6256-1
(1 take)
­ p.113 p.44 Bar 59 no extra notes. Repeats: both played. Bar 91 bass g played instead of f. Extra note low Ab added to finish. Pachmann's own Baldwin. 075 Fair ­ 05862
(12")
DB 861
(12") Eng Sp Fr Ger Hol Tur .
­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ 1/03 Θ
(2'35") (2'34")
­ ­ ­ ­ 03
(2'34")
­ ­ Mazurka
op.50/2 in Ab
Chopin
Chopin Mazurka
op.56/2 in C
1925
12(Dec)
15
Hayes ("A" studio) Electric Bb 7532-1
(1 take)
Prelude op.28/01 follows. ­ ­ Pachmann's own Baldwin. Not heard ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ Mazurka
op.56/2 in C
Chopin
Chopin Mazurka
op.56/3 in c
1909
06(Jun)
22
London Acoustic 3149f ­ ­ ­ ­ Not heard ­ Unissued ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ Mazurka
op.56/3 in c
Chopin
Chopin Mazurka
op.56/3 in c
1909
06(Jun)
22
London Acoustic 3150f ­ ­ ­ ­ Not heard ­ Unissued ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ Mazurka
op.56/3 in c
Chopin
Chopin Mazurka
op.59/3 in f#
1912
04(Apr)
26
Camden Acoustic B 11935-1 ­ p.116 p.43 ­ 089 Good ­ 5639? E80
(10") Eng
64263
(10") Eng .
907A .
(10")
­ 112/17
(2'46")
­ B02
(2'38")
{0t}
­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ 1/07
(2'40")
­ ­ ­ Mazurka
op.59/3 in f#
Chopin
Chopin Mazurka
op.63/3 in c#
1927
11(Nov)
03
London Electric Cc 11762-1
(1 take)
Mazurka op.67/4 in a follows after a short improvised link. p.117 p.44 Recorded in Small Queen's Hall. 082 Very good; error bar 63 ­ 2-05573
(12")
DB 1106
(12") Eng Hol Swi Oz
­ 6879-B
(12") US Arg .
­ 112/18
(1'46") {0t}

Link
(0'10")
­ ­ ­ ­ ­ ­ ­ ­ ­ 1/17a
(1'44") {0t} Wrongly labelled op.63/1
­ ­ ­ 2/09
(1'54") Timing includes improvised link {0t}
18
(1'49") Includes improvised link
­ ­ Mazurka
op.63/3 in c#
Chopin
Chopin Mazurka
op.67/1 in G
1925
06(Jun)
26
Hayes ("B" studio) Electric Bb 6258-1
(1 take)
Prelude op.28/06 precedes. p.118 p.44 Bar 11 rushed & smudged; final chord LH wrong, then corrected. Pachmann's own Baldwin. 048 Not good ­ 30-10222
(10")
DA 1302 .
(10") Eng Bel Fr
­ JF 55
(10") Jap
­ 112/20 Θ
(1'05")
­ A09 Θ
(1'05")
{+½t}
­ ­ ­ ­ ­ ­ ­ 1/05 Θ
(1'10") (1'09")
­ ­ ­ 2/28
(1'06") {-¼t?}
05
(1'08")
­ ­ Mazurka
op.67/1 in G
Chopin
Chopin Mazurka
op.67/4 in a
1911
11(Nov)
08
Camden Acoustic C 11208-1 Mazurka op.33/3 ­ ­ Bar 1 RH note played again, not tied. Bar 49 RH note tied. Bar 36 2nd time RH last note smudged. Bar 47 RH extra note before ornament. Bar 48 RH extra note e'. Bar 65 LH last chord smudged. No extra chord to finish. 078 Generally good ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ 1/08
(2'16")
­ ­ . Mazurka
op.67/4 in a
Chopin
Chopin Mazurka
op.67/4 in a
1915
Mid-late c.10(Oct); 12(Dec)?
London Acoustic 6616-1 Prelude op.28/23 follows. p.120 p.43 First note RH & LH played together. Bar 47 RH extra note before ornament. No extra chord to finish. Issued 1915 Nov? Dec?. 087 Very good, especially bars 71-72 L 1014
(12") Eng
­ ­ ­ ­ ­ ­ ­ ­ ­ B2 Θ
(2'09")
A7a Θ
(2'26")
{-½t}
­ ­ ­ ­ 3/06 Θ
(2'11") (Transfer slip at 1'17" bar 38 RH c''x)
­ 14 Θ
(2'18")
12 Θ
(2'14")
­ ­ ­ Mast B2
(2'14")


Perf 11 Θ
(2'14")
{0t}
Mazurka
op.67/4 in a
Chopin
Chopin Mazurka
op.67/4 in a
1927
11(Nov)
03
London Electric Cc 11762-1
(1 take)
Mazurka op.63/3 in c# & a short improvised link precedes, extra chord to finish follows. p.120 p.44 Bars 1, 49 RH note played again, not tied. Bar 47 no extra note. Extra chord to finish (matching the preceding improvised link). Recorded in Small Queen's Hall. 086 Very good ­ 2-05573
(12")
DB 1106
(12") Eng Hol Swi Oz
­ 6879-B
(12") US Arg .
­ 112/19 Θ
(2'16")
­ ­ ­ ­ ­ ­ ­ ­ ­ 1/17b Θ
(2'16")
­ ­ ­ 2/10
(2'19") {0t}
19
(2'11")
­ ­ Mazurka
op.67/4 in a
Chopin
Chopin Mazurka
op.??/? in c# (possibly op.50/3)
1925
06(Jun)
26
Hayes ("B" studio) Electric Bb 6257-1
(1 take)
­ ­ ­ Pachmann's own Baldwin. Not heard ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ Mazurka
op.??/? in c# (possibly op.50/3)
Chopin
Chopin Nocturne
op.09/2 in Eb
1915
Mid-late c.10(Oct); 12(Dec)?
London Acoustic 6619-1 ­ p.136 p.43 Bar 10 first chord minor instead of major as written. Bar 31 2nd-last chord wrong. Issued 1915 Nov? Dec?. 097 Wonderfully poised L 1014
(12") Eng
­ ­ ­ ­ ­ 112/21
(4'42")
{-½t}
­ ­ ­ A4(4"27") ­ ­ ­ ­ ­ 3/08
(4'25")
­ 07
(4'38")
04
(4'32")
2/02
(4'39") {-¾t}
­ ­ Mast B3
(4'32")
Nocturne
op.09/2 in Eb
Chopin
Chopin Nocturne
op.15/1 in F
1911
11(Nov)
07
Camden Acoustic C 11198-1 ­ p.142 p.42 ­ 089 Ethereal ­ 05636
(12")
D 263
(12") Eng Fr
74293
(12")
6377
(12")
­ 112/22
(4'34")
(skipped tracks)
A4 ­ B5(4'32") ­ ­ ­ ­ ­ ­ 2/05
(4'32")
­ ­ ­ 1/03
(4'32")
­ ­ ­ Nocturne
op.15/1 in F
Chopin
Chopin Nocturne
op.27/2 in Db
1916
01(Jan)? c.08(Aug)? c.09(Sep)?
London Acoustic 6968 ­ p.146 p.43 Bars 26 to the end, only. Bars 30-32 no extra notes. Bars 37-38 no wrong notes. Issued 1917 Feb. 088 Excellent L 1124
(12") Eng
­ ­ ­ ­ ­ ­ ­ ­ ­ A5 Θ
(3'42")
­ ­ ­ ­ ­ 3/09 Θ
(3'48") (3'49")
­ 08 Θ
(3'51")
05 Θ
(3'46")
­ ­ ­ ­ Nocturne
op.27/2 in Db
Chopin
Chopin Nocturne
op.27/2 in Db
1925
06(Jun)
26
Hayes ("B" studio) Electric Cc 6253-1
(1 take)
­ p.146 p.44 Whole piece. Bars 30-32 extra notes. Bars 37-38 LH wrong notes. Pachmann's own Baldwin. 082 Somewhat erratic ­ 05859
(12")
DB 860
(12") Eng Sp Fr ger Hol Oz .
­ ­ ­ 112/23 Θ
(4'35")
­ ­ ­ ­ ­ ­ ­ ­ ­ 1/01 Θ
(4'29") (4'28")
­ ­ ­ 1/02
(4'26")
{+?t}
01
(4'28")
­ ­ Nocturne
op.27/2 in Db
Chopin
Chopin Nocturne
op.32/1 in B
1923?
1923/24?
­ Acoustic C 29091-1 ­ p.147 p.44 No remarks by Pachmann. First interval not arpeggiated. Bar 7 no extra b. Bar 45 RH 1st beat f natural. 088 Excellent ­ (05798 cancelled)
(12")
DB 739
(12")
74868 assigned
(12")
6441A
(12") US .
­ 112/24 Θ
(4'02")
­ ­ A4 Θ
(3'54")
­ ­ ­ ­ ­ ­ ­ ­ ­ ­ 2/03 Θ
(4'05") {0t}
­ ­ ­ Nocturne
op.32/1 in B
Chopin
Chopin Nocturne
op.32/1 in B
1925
06(Jun)
26
Hayes ("B" studio") Electric Cc 6259-2
(2 takes)
­ p.147 p.44 Includes remarks by Pachmann, bars 60-65. First interval arpeggiated. Bars 7,8 RH played an extra b. Bar 45 RH 1st beat f#. Pachmann's own Baldwin. 084 Quite good, instructive ­ 05854
(12")
DB 859
(12") Eng Fr Ger Hol Tur Oz .
­ Jap JS 2 ­ ­ ­ A08 Θ
(4'04")
{+¼t}
­ ­ ­ ­ ­ ­ Accord A4 Θ
(4'01")
1/06 Θ
(4'08") (4'07")
­ ­ ­ ­ 06
(4'02")
­ ­ Nocturne
op.32/1 in B
Chopin
Chopin Nocturne
op.37/1 in g
1925
12(Dec)
15
Hayes ("A" studio) Electric Cc 7534-1
(1 take)
­ ­ ­ Pachmann's own Baldwin. Not heard ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ Nocturne
op.37/1 in g
Chopin
Chopin Nocturne
op.37/2 in G
1907
05(May)
London Acoustic 1851f ­ ­ p.42 Bar 1 1st note LH: not lengthened; 3rd 8th-note: extra notes played. Bar 9 last chord: extra note played. 087 Good ­ 05501
(12")
­ ­ ­ 1054 ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ 2/19 Θ
(4'34") (4'35") (Transfer slip bar 46)
06 Θ
(4'37") (4'47")
09 Θ
(4'55")
­ ­ ­ ­ ­ Nocturne
op.37/2 in G
Chopin
Chopin Nocturne
op.37/2 in G
1909
06(Jun)
22
London Acoustic 3153f ­ ­ ­ ­ Not heard ­ Unissued ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ Nocturne
op.37/2 in G
Chopin
Chopin Nocturne
op.37/2 in G
1912
04(Apr)
26
Camden Acoustic C 11936-1 ­ p.149 p.43 Bar 1 1st note LH: lengthened, about doubled; 3rd 8th-note: extra notes played. Bar 9 last chord: no extra note played. 092 Excellent ­ 05635
(12")
D 263
(12") Eng Fr
74313
(12") US .
6082-A
(12") .
­ 112/25 Θ
(4'40")
A3 Θ B06 Θ
(4'37")
­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ 1/04 Θ
(4'38")
­ ­ Seal A02 Θ
(4'38")
Nocturne
op.37/2 in G
Chopin
Chopin Nocturne
op.55/1 in f
1912
94(Apr)
25
Camden Acoustic C 11925-1 ­ ­ p.43 ­ 092 Very fine ­ ­ ­ Unissued
(12")
­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ Landmarks
B2 (4'21")
{0t}
­ ­ ­ ­ 2/17
(4'29") {0t}
­ ­ . Nocturne
op.55/1 in f
Chopin
Chopin Nocturne
op.55/2 in Eb
1911/12 Camden Acoustic ­ ­ ­ ­ ­ Not heard ­ ­ ­ 74314 assigned ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ Nocturne
op.55/2 in Eb
Chopin
Chopin Nocturne
op.72/1 in e
1925
06(Jun)
26
Hayes ("B" studio) Electric Cc 6254-1
(1 take)
­ ­ ­ Pachmann's own Baldwin. Not heard ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ Nocturne
op.72/1 in e
Chopin
Chopin Nocturne
op.72/1 in e
1925
12(Dec)
15
Hayes ("A" studio) Electric Cc 7533-1,-2
(2 takes)
­ ­ ­ Pachmann's own Baldwin. Not heard ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ Nocturne
op.72/1 in e
Chopin
Chopin Nocturne
op.72/1 in e
1927
11(Nov)
03
London Electric Cc 11757-2?
Cc 11767-2?
(2 takes)
­ p.152 p.44 Recorded in Small Queen's Hall. 099 Supreme ­ 2-05567
(12")
DB 1106
(12") Eng Hol Swi Oz
­ 6879-A
(12") US Arg .
­ 112/26
(4'02")
­ ­ ­ ­ B5
(4'08")
{0t}
­ ­ ­ Past 1/18
(4'09")
­ ­ ­ 1/01
(4'05")
{-¼t}
14
(4'02")
­ Mem Nocturne
op.72/1 in e
Chopin
Chopin Polonaise
op.26/1 in c#
1912
04(Apr)
25
Camden Acoustic C 11930-1 ­ ­ ­ ­ Not heard ­ ­ ­ 74312 assigned ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ . Polonaise
op.26/1 in c#
Chopin
Chopin Polonaise
op.26/1 in c#
1925
12(Dec)
15
Hayes ("A" studio) Electric Cc 7529-1
(1 take)
­ p.159 p.44 No Da Capo; 1st part of Trio not repeated. Pachmann's own Baldwin. 058 Rough, but parts of Trio excellent ­ 05895
(12")
DB 931
(12") Eng Fr Sp Hol Swi .
­ Jap VL 6
(12")
­ 112/27
(3'33")
­ ­ ­ ­ ­ ­ ­ ­ ­ 1/10
(3'35")
­ ­ ­ ­ 10
(3'34")
­ ­ Polonaise
op.26/1 in c#
Chopin
Chopin Prelude
op.28/01 in C
1925
12(Dec)
15
Hayes ("A" studio) Electric Bb 7532-1
(1 take)
Mazurka op.56/2 in C precedes. ­ ­ Pachmann's own Baldwin. Not heard ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ Prelude
op.28/01 in C
Chopin
Chopin Prelude
op.28/02 in a
1925
12(Dec)
15
Hayes ("A" studio) Electric Cc 7530-1,-2
(2 takes)
Preludes op.28/06 in b, 28/07 in A follow ­ ­ Pachmann's own Baldwin. Not heard ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ Prelude
op.28/02 in a
Chopin
Chopin Prelude
op.28/03 in G
1927
11(Nov)
03
London Electric Bb 11759-1
(1 take)
Prelude op.28/06 in b precedes. p.173; p.44 Recorded in Small Queen's Hall. 040 Very poor ­ 5918
(12")
DA 927
(10") Eng Ger Sp Por Swi
­ 1459-A
(10") US
­ 113/01
(0'56") {+½t}
­ A07
(0'56")
­ ­ ­ ­ ­ ­ ­ 1/15 Θ
(0'59") (0'58")
­ ­ ­ 2/08
(1'00") {+¼t?}
16
(0'58")
­ ­ Prelude
op.28/03 in G
Chopin
Chopin Prelude
op.28/06 in b
1911/12 Camden Acoustic ­ Preludes op.28/07, 28/10 ­ ­ ­ Not heard ­ ­ ­ 74311 assigned ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ Prelude
op.28/06 in b
Chopin
Chopin Prelude
op.28/06 in b
1925
06(Jun)
26
Hayes ("B" studio) Electric Bb 6258-1
(1 take)
Mazurka op.67/1 follows. p.177 p.44 Bar 3: LH 4th note b & c played instead of b. Bar 11 RH: all notes sounded clearly. Pachmann's own Baldwin. 062 Fair only p.44 30-10222
(10")
DA 1302
(10") Eng Fr Bel .
(10")
­ JF 55
(10") Jap
­ ­ ­ A06 Θ
(1'25")
­ ­ ­ ­ ­ ­ ­ 1/04 Θ
(1'31")
­ ­ ­ ­ 04
(1'27")
­ ­ Prelude
op.28/06 in b
Chopin
Chopin Prelude
op.28/06 in b
1925
12(Dec)
15
Hayes ("A" studio) Electric Cc 7530-1,-2
(2 takes)
Prelude op.28/02 in a precedes, 28/07 in A follows. ­ ­ Pachmann's own Baldwin. Not heard ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ Prelude
op.28/06 in b
Chopin
Chopin Prelude
op.28/06 in b
1927
11(Nov)
03
London Electric Bb 11759-1
(1 take)
Prelude op.28/03 in G follows. p.177 p.44 Bar 3: No wrong note. Bar 11 RH: 4th b scarcely sounded. Recorded in Small Queen's Hall. 080 Nice pianissimo ­ 5918
(10")
DA 927
(10") Eng Ger Sp Por Swi
­ 1459-A
(10") US Jap
­ 113/02 Θ
(1'37") {+¼t}
­ ­ ­ ­ ­ ­ ­ ­ ­ 1/14 Θ
(1'36")
­ ­ ­ 2/07
(1'36") {+¼t?}
15
(1'32")
­ ­ Prelude
op.28/06 in b
Chopin
Chopin Prelude
op.28/07 in A
1912
04(Apr)
25
Camden Acoustic C 11924-1 Preludes op.28/06, 28/10 ­ ­ ­ Not heard ­ ­ ­ 74311 assigned ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ . Prelude
op.28/07 in A
Chopin
Chopin Prelude
op.28/07 in A
1925
12(Dec)
15
Hayes ("A" studio) Electric Cc 7530-1,-2
(2 takes)
Preludes op.28/02 in a, 28/06 in b precede ­ ­ Pachmann's own Baldwin Not heard ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ Prelude
op.28/07 in A
Chopin
Chopin Prelude
op.28/10 in c#
1912
04(Apr)
25
Camden Acoustic C 11924-1 Prelude op.28/06, 28/07 ­ ­ ­ Not heard ­ ­ ­ 74311 assigned ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ . Prelude
op.28/10 in c#
Chopin
Chopin Prelude
op.28/15 in Db ("Raindrop")
1923
12(Dec)
14
Camden Acoustic C 11934-2 ­ ­ p.43 Bar 5 2nd half LH weak. Bar 17 beat 3 RH b'b blurred with c''. Bar 23 extra d''n before septuplet. Bars 65-66 chord tied. Bar 84 RH extra note g'b played. 090 Ethereal ­ 05824
(12")
DB 858
(12")
­ ­ ­ 113/03 Θ
(4'12")
­ ­ A1 Θ
(4'11")
­ ­ ­ ­ ­ ­ ­ ­ ­ ­ 1/16 Θ
(4'22")
­ ­ Perf 08 Θ
(4'12")
Prelude
op.28/15 in Db ("Raindrop")
Chopin
Chopin Prelude
op.28/15 in Db ("Raindrop")
1924
05(May)
26
Camden Acoustic C 11934-5 ­ ­ p.43 Same features as C 11934-2? ­ ­ ­ ­ ­ 6480-B . (12") ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ 03 Θ
(4'18")
­ ­ ­ ­ ­ Prelude
op.28/15 in Db ("Raindrop")
Chopin
Chopin Prelude
op.28/15 in Db ("Raindrop")
1927
11(Nov)
03
London Electric Cc 11760-1
(1 take)
­ ­ ­ Recorded in Small Queen's Hall. Not heard ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ Prelude
op.28/15 in Db ("Raindrop")
Chopin
Chopin Prelude
op.28/16 in bb
1912
04(Apr)
26
Camden Acoustic C 11937-1 Prelude op.28/20 ­ ­ ­ Not heard ­ ­ ­ 74317 assigned ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ Prelude
op.28/16 in bb
Chopin
Chopin Prelude
op.28/16 in bb
1915
Mid-late c.09(Sep); 12(Dec)?
London Acoustic 6591-1 Etude op.25/03 precedes. p.188 p.43 Issued 1915 Nov. 081 Good L 1010
(12") Eng
A 5831
­ ­ ­ ­ ­ 113/04
(1'16")
­ ­ ­ A2
(1'09")
­ ­ ­ ­ ­ 3/03
(1'11")
­ ­ 02
(1'14")
­ ­ ­ ­ Prelude
op.28/16 in bb
Chopin
Chopin Prelude
op.28/20 in c
1912
04(Apr)
26
Camden Acoustic C 11937-1 Prelude op.28/16 ­ ­ Bar 8 1st chord arpeggiated. Bar 6 between beats 2 & 3 vocal sigh heard. 086 Well poised ­ ­ ­ 74317 assigned ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ 2/16
(1'30") {0t}
­ ­ . Prelude
op.28/20 in c
Chopin
Chopin Prelude
op.28/20 in c
1909
06(Jun)
22
London Acoustic 3155f Barcarolle op.60 ­ ­ ­ Not heard ­ Unissued ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ Prelude
op.28/20 in c
Chopin
Chopin Prelude
op.28/22 in g
1907
05(May)
London Acoustic 1856f Prelude op.28/23 and Mazurka op.50/2 follow. ­ p.42 Faint speaking before start. 082 Good but slight ­ 05500
(12")
­ ­ ­ 1055 113/05
(0'41")
­ ­ ­ ­ ­ ­ ­ ­ ­ 2/20
(0'42")
07
(0'43") (0'44")
04a
(0'44")
­ 2/04
(0.41") {-¼t}
­ ­ Perf 09A Θ
(0'43")
Prelude
op.28/22 in g
Chopin
Chopin Prelude
op.28/23 in F
1907
05(May)
London Acoustic 1856f Prelude op.28/22 precedes. Mazurka op.50/2 follows. ­ p.42 Bar 5 RH: no blur. Bar 9 RH: 1st note not prolonged noticeably. Bar 16 LH: f scarcely heard. Faint speaking after end. 076 Good but slight ­ 05500
(12")
­ ­ ­ 1055 ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ 2/21 Θ
(0'58")
08 Θ
(0'55") (0'58")
04b Θ
(1'06")
­ 2/05
(0.58") {-¼t}
­ ­ Perf 09B Θ
(1'01")
Prelude
op.28/23 in F
Chopin
Chopin Prelude
op.28/23 in F
1909
06(Jun)
22
London Acoustic 3152f Prelude op.28/24 follows. ­ p.42 ­ Not heard ­ 05522
(12") (Unissued?)
­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ Prelude
op.28/23 in F
Chopin
Chopin Prelude
op.28/23 in F
1911
11(Nov)
07
Camden Acoustic C 11201-1 Impromptu op.29 ­ p.42 Bar 5 RH: note 7 c blurred with b. Bar 9 RH: 1st note not prolonged noticeably. Bar 16 LH: f clearly heard, though briefly. 072 Slight ­ ­ ­ 74284
(12")
6363
(12")
­ ­ ­ ­ A2 Θ
(0'51")
­ ­ ­ ­ ­ ­ 2/07 Θ
(0'52") (0'54")
­ ­ ­